When does a mixing desk become a real console? How large does it have to be to allow professional operation? These questions designate a real challenge. How about 20 channels (including aux returns), 3-band EQs with semi-parametric mids in the microphone channels, 4-band EQ in the stereo channels and 2 aux paths, one of them pre/post switchable per channel? Peak, mute, and solo LEDs, ALT 3-4 bus with faders and....all of this in a compact unit that fits anywhere - in project and MIDI studios, for mixes in clubs, video post-production studios, and permanent installations. Wherever you want to mix, the Eurorack MX2004A can do the job.